This is a blog with spoiler free reviews. Most will be Fantasy, Science Fiction, and Horror, but there will be some books in other genres, including the occasional Non-Fiction review. There is an ongoing series of Cover Reveal Round-Ups, and sometimes I'll write an article on something that interests me.
Showing posts with label Subterranean Press. Show all posts
Showing posts with label Subterranean Press. Show all posts

31 October, 2013

REVIEW: CLEMENTINE

Cover by Jon Foster

CLEMENTINE
A NOVEL OF THE CLOCKWORK CENTURY
BY
CHERIE PRIEST

ISBN: 978-1-59606-308-2
Pages: 201
Publisher: Subterranean Press
First published: 30 July 2010
This edition: 15 December 2011

On the cover:
(From the publisher's website.)

Maria Isabella Boyd’s success as a Confederate spy has made her too famous for further espionage work, and now her employment options are slim. Exiled, widowed, and on the brink of poverty…she reluctantly goes to work for the Pinkerton National Detective Agency in Chicago.

Adding insult to injury, her first big assignment is commissioned by the Union Army. In short, a federally sponsored transport dirigible is being violently pursued across the Rockies and Uncle Sam isn’t pleased. The Clementine is carrying a top secret load of military essentials—essentials which must be delivered to Louisville, Kentucky, without delay.

Intelligence suggests that the unrelenting pursuer is a runaway slave who’s been wanted by authorities on both sides of the Mason-Dixon for fifteen years. In that time, Captain Croggon Beauregard Hainey has felonied his way back and forth across the continent, leaving a trail of broken banks, stolen war machines, and illegally distributed weaponry from sea to shining sea.

And now it’s Maria’s job to go get him.

He’s dangerous quarry and she’s a dangerous woman, but when forces conspire against them both, they take a chance and form an alliance. She joins his crew, and he uses her connections. She follows his orders. He takes her advice.

And somebody, somewhere, is going to rue the day he crossed either one of them.


   It's not exactly a secret that I like the A Clockwork Century novels (, see the link to my reviews below,) so I was really excited to finally get my hands on this one. Of course there's a certain danger that you set yourself up for disappointment when you let anticipation build up for any form of art and/or entertainment. Not that I was really worried, Priest has definitely been good to me in that regard previously, and she doesn't disappoint this time either.

   We're at a new location for this series, actually several new locations; Chicago, Kansas City, and Louisville among them. This is very much centered around dirigibles, including the Clementine of the book's title. This makes for a structure that gives is very good for the kind of action adventure structured story we are getting here.
   As before the alternate history aspect is very solid here. It's clear that this is a world that is real enough that we'll do fine without a set location, or a permanent set of characters. And this time Priest has abandoned a story element that has united the other books in this series. There's still a connection to the other novels through some characters. But Priest's world is perfectly capable of supporting independent stories, and I wouldn't mind seeing this alternate Earth explored further in the future.

   The characters here are two very different people (, as stated in the cover copy above). Priest takes their differences and uses it to a great advantages when she showcases their different positions in a world where the US Civil War is still fought. They have some of the same personality traits, but that just highlights how much they come from totally different settings in life even more. Although I must stress that they are certainly much more than just mirror images. They just happen to both be the type of character that can drive this type of action-oriented narrative.
   Having two such individuals in such a short story shouldn't at first glance work, but Priest has made it seem like a completely natural way to tell a story. They do not crowd eachother out, but give us different threads of the same story, and we get a much richer tale because of it.

   The story is really a good one too, although it must be said that it has a bit of a prologue feel to it. Although to be perfectly honest that could just be me wanting to read a six to eight hundred story following where this one ends.
   Writing in such a limited space has left us with a story that is really pared down, there is nothing here that is unnecessary. In that regard this feels like a two hundred page short story. The story itself is not cut down though, it's a full action packed adventure with airship-pirates, spies, and secret weapons. It does in fact have much of the same pacing as an Action Thriller. It's a fast flowing story with action and suspense, but it is still filled with enough details to give us a nice glimpse of the wider world.

   All in all this was a very enjoyable book with more depth to it than I had expected. It's Steampunk with more than a bit of the depth many have said is lacking from the genre. It's also Steampunk that is geared towards the Alternate History end of that genre, it's totally lacking in the Victoriana we so often see. 
   But first and foremost this is a great story with plenty of action. I think it will appeal to anyone who has found Action Thrillers appealing, for those that like Alternate History or Steampunk this is a must. And it is a great "starter book" for those that are curious about the Alternate History end of Steampunk.
   For me this just cements Priest as one of the great writers of modern day Steampunk, and as a SFF author it is worth paying attention to.

REVIEWS: A Clockwork Century reviews.

LINKS: Cherie Priest  Subterranean Press

16 May, 2013

REVIEW: THE WILFUL PRINCESS AND THE PIEBALD PRINCE

Cover art by Jon Foster

THE WILFUL PRINCESS AND THE PIEBALD PRINCE
BY
ROBIN HOBB

ISBN: 978-1-59606-544-4
Pages: 184
Publisher: Subterranean Press
Published: 28 February 2013

On the cover:

One of the darkest legends in the Realm of the Elderlings recounts the tale of the so-called Piebald Prince, a Witted pretender to the throne unseated by the actions of brave nobles so that the Farseer line could continue untainted. Now the truth behind the story is revealed through the account of Felicity, a low-born companion of the Princess Caution at Buckkeep.
    With Felicity by her side, Caution grows into a headstrong Queen-in-Waiting. But when Caution gives birth to a bastard son who shares the piebald markings of his father’s horse, Felicity is the one who raises him. And as the prince comes to power, political intrigue sparks dangerous whispers about the Wit that will change the kingdom forever…

    This is a short book consisting of a story in two parts. As the flap copy says, it's the story of one of the monumental events in the history (,as seen from the time of Hobb's other stories set in The Realm of the Elderlings,) of the Six Duchies. It's about a short period that has major repercussions for later events, especially FitzChivalry's experiences in The Farseer Trilogy is very much effected by what is told here. So, as such this isn't truly a standalone. It is certainly possible to read this without any knowledge of what has been previously published, but this is first and foremost a complimentary story for those who want to know more about the world Hobb has created.
   Felicity's story is both her very personal story and a much larger story about the kings and queens of Buckkeep and the politics of ruling. These two story strands are intertwined, and it is Felicity's closeness to events that makes her their chronicler.

   The personal story is in essence about how someone of low birth can find a place in the upper reaches of the court, and that in itself is interesting enough to warrant a telling. There's some chilling lengths that are gone to to keep that place, and it does sometimes come across as extremely cynical actions. But that is really what gives it power, Hobb shows how desperate someone can get to stay close to the powerful. And also how extreme your actions can become when you are trying to safeguard yourself and your family.
   There's also another aspect to the personal story, one that has more to do with feelings and even love. Especially in the first part of the book we see how the closeness of two people of different stations is a fragile thing that can be destroyed by the small events that are a part of so many people's life.

   On the big scale side of the story we finally get to see the historical events we have previously only heard about in Hobb's previous work, the story of the Piebald Prince and how he came to be.
   This is largely a story of courtly politics, something that on the surface may not sound very interesting or engaging, but it is a really fascinating tale. There's not only politics involved, love is a major part of what is going on in both parts of the book. This humanises the dry politics to a great degree, making the actions of the participants much more relatable and understandable. It shortens the distance from the reader to the greater geopolitical events that are more of a result of what happens than their cause.
   Hobb offers up some surprising twists and turns, and although you may be familiar with what the ultimate results of this came to be in later years (, in The Farseer Trilogy,) seeing where this story goes is still very much a guessing game.

   I mentioned above that the personal and the political are intertwined in this book, and that is something Hobb does very well. There's never a feeling that one suffers because of the other, and the two strands compliments each other very well. It becomes a personal chronicle of momentous events that puts you right in the middle of what is happening, and Hobb manages to make you feel like you are experiencing it as much as Felicity did. It's really a great way to tell of historical events, and Hobb does it expertly here.
   The main characters are also very well drawn. Apart from Felicity we get little insight into their thought processes, but we still understand them and can empathise with them. (At least to the degree that Felicity can.) We don't get close to all the players in the story, but that isn't something I felt was missing from the story, it's more the nature of it. And that is something I really liked, this is an intimate telling of a large story and that is its great strength.

   I can only conclude that this is another great story from Hobb. It carries her trademark style, and as a fan of that style it was a great read for me, and I'm sure other Hobb fans will feel the same way. This is really an essential complementary tale for those who want to know and understand more about Hobb's world, and it should be in every Hobb fan's collection

More Robin Hobb reviews can be found here.

LINKS: Robin Hobb  Subterranean Press