This is a blog with spoiler free reviews. Most will be Fantasy, Science Fiction, and Horror, but there will be some books in other genres, including the occasional Non-Fiction review. There is an ongoing series of Cover Reveal Round-Ups, and sometimes I'll write an article on something that interests me.
Showing posts with label Saga. Show all posts
Showing posts with label Saga. Show all posts

12 August, 2013

REVIEW: LORD OF SLAUGHTER

Cover art by Paul Young
Cover design by Patrick Knowles

LORD OF SLAUGHTER
BY
M.D. LACHLAN

ISBN: 978-0-575-08968-6
Pages: 403
Publisher: Gollancz
Published: 13 June 2012

On the cover:

On a battlefield strewn with corpses, a ragged figure, dressed in wolfskin and intent on death, slips past the guards into the tent of the Emperor and draws his sword.

The terrified citizens of Constantinople are plagued by mysterious sorcery. The wolves outside the city are howling. A young boy had traded the lives of his family for power. And a Christian scholar, fleeing with his pregnant wife from her enraged father, must track down the magic threatening his world.

All paths lead to the squalid and filthy prison deep below the city, where a man who believes he is a wolf lies chained, and the spirits of the dead are waking.

The Norsemen camped outside the city have their own legends, of the wolf who will kill the gods, but no true Christian could believe such a thing.

And yet it is clear to Loys that Ragnarok is coming. Will he be prepared to sacrifice his life, his position, his wife and his unborn child for a god he doesn't believe in?

And deep in the earth, the wolfman howls...


   This is the third volume in Lachlan's series, following from Wolfsangel and Fenrir (link to reviews of both at bottom). It continues the theme of rebirth, and cycles that was also heavily present in Fenrir. Vikings are again playing an important part, but this time we have moved to Constantinople, or Miklagard as the Vikings would say.
   The setting is a very interesting one, and Lachlan is very good at making it come alive. Unfortunately it is also the source of some disappointment to me. You see, the Varangian guard were the Viking elite soldiers of the Eastern Roman Emperor, and there is a lot of interesting history connected to them. And I expected that to be more prominent in the book.

   Note the words "I expected" above, this isn't actually a flaw of the book. It's my expectations, based on my knowledge of history, making me want something the author actually did not put in his story. Normally I wouldn't mention something like that, I prefer to stick to reviewing what is actually in the book. And if we are honest, there is always something personal that colours how we interpret, and feel about, what we read. But in this case it did lead to me always waiting for something that never showed up while reading the story, and I wouldn't be honest if I said that didn't effect my enjoyment in a pretty direct way.
   I could of course wait a couple of years, read this book again without my expectations, and then review it. But that is not really fair in my opinion, and it's not really something I do. I don't re-read to change my opinion. Instead I'll write this review giving the impression I got when I read it, with my assumptions in the background. Just be aware that when you read this, that if you know nothing of the Varangian guard, or the Vikings in Miklagard, you are likely to have a different experience.

   I've mention that Lachlan makes the setting come alive, he also does a great job with the characters. They are very interesting in themselves, and they come very quickly to life when they are introduced. The whole build-up phase of the book, about the first half, is great. Everything is set up very nicely, but then it feels like the book does a big shift.

   The shift goes from the story that has been built up, and the setting, to the greater story that this series is about, and for me that didn't really work. What is a great setting, and some great characters, are put on the back-burner to a much more magic/supernatural oriented story. And that makes it feel like all the good build-up that goes before it doesn't really count. From here on in the story could really be set anywhere and be told with any characters. And the strength of the previous book, Fenrir, is precisely that it feels like it has to be told exactly where it is with exactly those characters.

   This is by no means to be taken as it is a bad story, because it isn't. Taken in isolation this is a very good story, whose only problem is that it has some repetition because one of the characters is discovering things that are already known to the reader.
   Ordinarily that wouldn't really be an issue for me, especially when it is well done, like it is here. But this is book three of a cyclic story, and it feels too repetitive when we get that story rediscovered twice in the same volume. Because if you are like me, you will have read the two first books, and already be aware of it.

   When trying to sum up my reaction to this, I'd say it was ambivalent. This is actually a good story, and there is no doubt that this shows that Lachlan is both a good writer and a good storyteller. But it's also got some of the typical diseases of the middle volume(s) of a Fantasy series, it's bogged down in it's own history, and starting to repeat itself.
   As I said above, I also feel that the setting becomes too much of a background here. Some of that is because of the expectation I outlined at the beginning of this review, and some of it has to do with the story ending up somewhere that could be everywhere. Making the set-up, of both setting and characters, feel a bit wasted. And in so doing, the story also becomes repetitive, whereas with a setting affecting it, it would feel much fresher.

   So, overall a good novel, but with some flaws that can make it hit or miss. I'd absolutely recommend someone who has interest in the Vikings and their mythology pick up this book. Reading the previous volume isn't essential.
   For those that have read the previous volumes, if you have no problems with the repetitious nature of part of the story, you should enjoy this. But if  you, like me, was hoping for another exploration into the Viking's journey around the world, then you may be disappointed.

REVIEWS: Wolfsangel  Fenrir

LINKS:  Gollancz  Gollancz Blog

17 April, 2012

REVIEW: WOLF'S BROTHER

Cover art: Jackie Morris
Cover design: HarperCollinsPublishers

WOLF'S BROTHER
BY
MEGAN LINDHOLM

ISBN: 978-0-00-742543-3
Pages: 266
Publisher: Harper Voyager
Originally published: 1988
This edition published: 28 April 2011

On the cover:

 Kerlew stared at the immense stone that jutted up from the tundra. Power radiated from it like heat from a fire. It attracted the boy and filled him with fear. There was a brush of sound, of dark moving shadows and then the sudden flash of a glistening eye. He pressed his palms back against the stone’s rough surface and faced the night creatures that surrounded him.

Every day, Kerlew's magic grows, reaching out to his guide, the Wolf. But the magic also calls to Carp, the evil old shaman, who is pursuing Kerlew and his mother, Tillu, across the frozen waste. Meanwhile, someone - or something - is committing terrible atrocities in the village that Tillu now calls home. With fear and suspicion at fever pitch, a strange old man appears, with an offer of help...

   NOTE: This is the second half of a split book, the first half, The Reindeer People, is reviewed here.

   As with The Reindeer People this is not very action packed, but there is actually a lot more happening in this book. In fact it is almost jarring when there comes a relatively fast paced sequence after getting used to the slow pace of the story.
   But this second half of the story is in many ways about wrapping up what started in The Reindeer people, and this means that everything is given more urgency. It also means that things feel a little bit rushed at times.

   The characters development is done very nicely, they seem to find their roles and accept them here. This goes especially for Kerlew, who has a special journey of his own. And it is his journey that is perhaps the most interesting, and also the most Fantasy-like. However I don't think it is fair to call what is actually part of shamanistic religion Fantasy as such.
   There is also a bit of a romantic plot going one, one that has been building since The Reindeer people. And I think many who read this will be satisfied with the conclusion to that part of the plot.

   All in all this was one of those stories where the journey as a whole was much more interesting to me than its parts. Lindholm has written a story, in two parts, that is both interesting and in many ways exotic. If you like a story that takes its time, and is very centered on the characters inner journey this is two books I urge you to pick up.
   I would also like to say that it is interesting to see both the differences and likenesses of Lindholm's and Hobb's writing styles. This isn't a bad place for Hobb fans to get a taste of the former.


REVIEW: THE REINDEER PEOPLE

Cover art: Jackie Morris
Cover design: HarperCollinsPublishers

THE REINDEER PEOPLE
BY
MEGAN LINDHOLM

ISBN: 978-0-00-742544-0
Pages: 348
Publisher: Harper Voyager
Originally published: 1988
This edition published: 28 April 2011


On the cover:

Living on the outskirts of the tribe Tillu was happy spending her time tending her strange, slow dreamy child Kerlew and communing with the spirits to heal the sick and bring blessing on new births.

However Carp, the Shaman, an ugly wizened old man whose magic smelled foul to Tillu desired both mother and child. Tillu knew Carp’s magic would steal her son and her soul. So begins the Harrowing and desperate pursuit across the winter-ravaged lands, as Tillu's flight leads them into an uncertain, and deadly, new future.

   This isn't an action-packed book, the pace is slow and what happens in the story takes a long time to arrive anywhere. But that isn't a negative in this case, that is just how the story is structured.
   I'm pretty much OK with books that take their time, but I did have a problem with how you could see important plotpoints coming a long way in this book. The narrative uses a long time to come to things that are obvious to the reader and this removes much of the suspense in the story. Normally this would put me off the story, but here that is not the case. I found the story both compelling and interesting.

   There are two elements that makes this story a good one, the characters and the setting. The characters are all interesting, and as an ensemble they work very well together. That being said, they are pretty standard. It doesn't take long before you get a grip on their place in the story and where it is going to take them. But as with the slow pace I mentioned above, it works. You get sympathy for them and they are interesting to follow on their journey.

   The setting is what I liked best about the story. I don't know if Lindholm has used the Sami of northern Scandinavia, and north-east Russia, as a template for the setting but I strongly suspect she did. Lindholm is very good with this setting, and especially the nature of it. As someone who has grown up in Norway I am sensitive to descriptions of winter that doesn't ring true. That is no problem with Lindholm's writing here, she makes the winter come to life very well.

   It may seem from what I've written above that I didn't like this book very much, but I did. The individual elements may not work very well isolated, but they come together top make an interesting and well written story.
   I also have to say that this is not Fantasy, it is Historical Fiction. And comparisons to Jean M. Auel's Earth's Children series are a bit unavoidable. In that respect this compares favourably, and I would urge any fan of Auel or Pre-History in general to pick it up.

NOTE: This is a split novel, I have reviewed book two, Wolf's Brother here.

REVIEWS: Wolf's Brother  The Inheritance

19 December, 2011

REVIEW: FENRIR

Cover art: Paul Young
Cover design: Patrick Knowles

FENRIR
BY
M.D. LACHLAN

ISBN:  978-0-575-08964-8
Pages: 532
Publisher: Gollancz
 Published: 21 July 2011

On the cover:

The Vikings are laying siege to Paris. As the houses on the banks of the Seine burn a debate rages in the Cathedral on the walled island of the city proper. The situation is hopeless. The Vikings want the Count's sister. In return they will spare the rest of the city. Can the Count really have ambitions to be Emperor of the Franks if he doesn't do everything he can to save his people? Can he call himself a man if he doesn't do everything he can to save his sister?
His conscience demands one thing, the demands of state another. The Count and the church are relying on the living saint, the blind and crippled Jehan of St Germain, to enlist the aid of God and resolve the situation for them.
But the Vikings have their own gods. And outside their camp a terrifying brother and sister, priests of Odin, have their own agenda. An agenda of darkness and madness. And in the shadows a wolfman lurks.

    This is a continuation of the story in Wolfsangel, but it is not the usual direct sequel we are so used to from fantasy. Instead it is the next installment in the cycle of the story. And the cycle is also the central theme of Lachlan's fantasy series. The protagonists here are not the same as in Wolfsangel, but they are aspects of them. The story is moving on with different players, and I found this worked well.
   Lachlan maintains the saga-like quality of his prose, which is a good thing. It worked very well in Wolfsangel, and if anything it works even better here.

   The story is really fast-paced. There's quite a lot of action, and even in quieter parts of the novel the story is moving along steadily. I can't think of any part of the book that was really a "rest-period", and this makes it a book that can be difficult to put down.
   There's a lot of magic in this book. But Lachlan doesn't use this as a prop, it is integral to the story he is telling, and it never feels like it is out of place. As with Wolfsangel there is also a presence of gods here, the dark and fallible Viking variety that will be familiar to students of Norse mythology.

   The characters we encounter in the book have their separate tales to tell, and all of them are interesting. There are several main characters here that could easily have carried a novel by themselves, and they are propped up with supporting characters that are interesting in their own right.
   Lachlan makes use of several points of view. This can be annoying in some stories, but here they add up to giving a much greater whole than the sum of the individual viewpoints. The different protagonists are used to great effect to draw the story together and form a single narrative.

   This time the location is outside the Scandinavian homeland of the Vikings, mostly in modern day France, but we also get to go to Russia. As someone who is Norwegian and interested in history I think it was really refreshing to see these lesser known locations for Viking activity used to great effect here. And it also makes me excited to find out where we are heading next in Lachlan's saga.

   I can't think of anything I disliked in this book, it is very close to a perfect novel. For anyone who feels that modern fantasy is getting a bit stale this will be the perfect antidote. And if you have any interest in Vikings or Norse mythology Lachlan has created an excellent fantasy for you. This is a perfect read for dark winter evenings.

Review: Wolfsangel

21 January, 2011

REVIEW: WOLFSANGEL

Cover Illustration: Paul Young
Cover Design: Patrick Knowles

WOLFSANGEL
BY
M. D. LACHLAN

ISBN: 978-0-575-08957-0
Pages: 438
Publisher: Gollancz
Publishing Date: 20 May 2010


On the cover: 

The creature looked at his body and it seemed to him a very fine thing. His hands were strong and large and his muscles were wound to his bones like tree roots around rock. His teeth felt like shining knives in his head.

A story of Vikings and mad gods, a story about hunger - for love, for life and for death.

The Viking King Authun leads his men on a raid against an Anglo-Saxon village. A prophecy has told him that the Saxons have stolen a child from the Gods. If Authun, in turn, takes the child and raises him as an heir, the child will lead his people to glory.
But Authun discovers not one child, but twin baby boys.

 Authun takes the children and their mother home, back to the witches who live on the troll wall. And seals all their fates.

One child will hunt a wolf, the other will become a wolf.

Both will become rivals in love. And both are tied into the schemes of a witch queen and a dead god; Odin, lord of the hanged.

    Let us start with getting one thing out of the way, I am Norwegian. And you get kind of wary of people stepping in and using your cultural heritage when you come from a small region like the Nordic, or Norse, one. To give you an example, there was some jealousy in Norway when the Disney film Hercules was announced, we have just as rich a pantheon of gods. But once the film was released, and the Greeks started complaining, people sighed in relief that we hadn't been Disneyfied. -This is what a foreigner who wants to use  Norse legends and sagas as inspiration has to tackle. (To be fair, there is still lots of Viking blood in the British Isles.)

    There's no slow start to this book. Chapter one has plenty of action, and throws you straight into the story. But although this book has plenty of action, that is not what is its real strength. What Lachlan does best is take you under the skin of the characters.
   With few central characters he has time to let us really get to know them, and as the story progresses you get pretty intimate with the lead players. There were times where I really empathized with the characters in a way that few books make me do.

    There's quite a bit of magic in the book. Thankfully Lachlan has stayed close to the shamanistic nature of Norse magic instead of using a AD&D based system. The magic here is very much a part of the story, and it is well integrated, and a Viking of the period would have no problem recognizing it.
    Lachlan also integrates the other paranormal elements seamlessly into his story. And when gods are involved you get a bit of the paranormal.

    The lack of the huge overt treat, that is the mainstay of much fantasy, does make the pace seem deceptively slow. But there is a lot going on, and there is no down-time to get you bored. The story has an inner drive that captures you, and keeps you reading.
    While Lachlan gives us much information in the first sixty or so pages, he holds back a lot for the reader to discover later. The story has many twists and turns, and at times it will have you fooled as to what is going on. It draws to a satisfying conclusion, but promises there is more to come. And if you are like me, you will want to read more of this saga

   Lets go back a bit, to where I started this review. Did Lachlan manage to stay true to the original Norse Sagas? -I think he did, in more ways than one. Not only has he gotten the feel of the sagas almost perfect, but he has stayed true to the Norse myths.
    There is no doubt that Lachlan has done his research for this novel. -To be honest, I got to say that I know he's been to Norway before writing it. He has also obviously done extensive research on the historical period, what is known as the Viking Age [Vikingtiden] here in Norway.
    Lachlan has  managed to combine the sagas with fantasy and horror, and pulled off a magnificent novel. I am eagerly awaiting the follow up Fenrir, that is released later this year.

A COUPLE OF NOTES:
-If a publisher from Norway, or any of the other Nordic countries reads this: Check out the book, I think it is well worth translating and publishing.
-M.D. Lachlan is the not so secret pseudonym of journalist and author Mark Barrowcliffe.

-This book was sent to me by the author.

LINKS: M.D. Lachlan  Gollancz